WEDNESDAY, MAY 2, 8pm - "HEARTBREAKER" (France, 2010)

Summary: You could say Alex Lippi is a ladies' man but it is not true. Of course he has already wooed and charmed armies of women, young and less young, French and foreign. But Alex does it only on active service. Indeed he is appointed to break up undesired couplings. This time he must prevent a rich young lady from marrying an English millionaire. The girl is beautiful and the future husband a perfect match. Will he manage to accomplish this difficult mission?

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FRIDAY, MAY 4, 8pm - "4 MONTHS, 3 WEEKS, 2 DAYS" (Romania, 2008)

Summary: You could say Alex Lippi is a ladies' man but it is not true. Of course he has already wooed and charmed armies of women, young and less young, French and foreign. But Alex does it only on active service. Indeed he is appointed to break up undesired couplings. This time he must prevent a rich young lady from marrying an English millionaire. The girl is beautiful and the future husband a perfect match. Will he manage to accomplish this difficult mission?

TRAILER

MONDAY, MAY 7, 8pm - "MOTHER" (Korea, 2009)

Summary: A mother lives quietly with her twenty-eight-year-old son, Do-joon, providing herbs and acupuncture to neighbors. One day, a girl is brutally murdered, and Do-joon is charged with the killing. Now, it's his mother's call whether to prove him innocent or to leave him imprisoned.

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WEDNESDAY, MAY 9, 8pm - "GOOD BYE, LENIN! " (Germany, 2003)

Summary: East Germany, the year 1989: A young man protests against the regime. His mother watches the police arresting him and suffers a heart attack and falls into a coma. Some months later, the GDR does not exist anymore and the mother awakes. Since she has to avoid every excitement, the son tries to set up the GDR again for her in their flat. But the world has changed a lot.

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FRIDAY, MAY 11, 8pm - "In July " (Turkey/Germany, 2000)

Summary: A journey set against the multicultural backdrop of Central and Eastern Europe. Daniel is a young physics teacher in Hamburg who plays life by the rules. His students ridicule him, bartenders ignore him, and every night he walks home to a perfectly empty IKEA-furnished apartment. But his drab existence is about to change as he falls head over heels in love with a beautiful Turkish girl named Melek and spontaneously decides to follow her to Istanbul. On his way East, Daniel discovers a new self and learns to truly fight for his happiness, even as he gets high on drugs for the first time, gets beaten up, is seduced, robbed, and finally busted by Turkish border guards. Daniel's wild odyssey is shared by Juli, a young woman hungry for life who predicts Daniel will soon find his one true love. But until then, the two must conquer Europe, by truck, car, bus, boat and foot and find out on the way that the laws of physics don't always apply.

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MONDAY, MAY 14, 8pm - "Waltz with Bashir" (Israel, 2008)

Summary: One night at a bar, an old friend tells director Ari about a recurring nightmare in which he is chased by 26 vicious dogs. Every night, the same number of beasts. The two men conclude that there's a connection to their Israeli Army mission in the first Lebanon War of the early eighties. Ari is surprised that he can't remember a thing anymore about that period of his life. Intrigued by this riddle, he decides to meet and interview old friends and comrades around the world. He needs to discover the truth about that time and about himself. As Ari delves deeper and deeper into the mystery, his memory begins to creep up in surreal images.

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WEDNESDAY, MAY 16, 8pm - "Talk to Her " (Spain, 2002)

Summary: After a chance encounter at a theater, two men, Benigno and Marco, meet at a private clinic where Benigno works. Lydia, Marco's girlfriend and a bullfighter by profession, has been gored and is in a coma. It so happens that Benigno is looking after another woman in a coma, Alicia, a young ballet student. The lives of the four characters will flow in all directions, past, present and future, dragging all of them towards an unsuspected destiny.

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FRIDAY, MAY 18, 8pm - "Since Otar Left" (France/Georgia, 2003)

Summary: The one joy in the lives of a mother and daughter comes from the regular letters sent to them from Paris from the family's adored son, Otar. When the daughter finds out that Otar has died suddenly, she tries to conceal the truth from her mother, changing the course of their lives forever.

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MONDAY, MAY 21, 8pm - "Departures" (Japan, 2008)

Summary: Daigo Kobayashi is a devoted cellist in an orchestra that has just been dissolved and now finds himself without a job. Daigo decides to move back to his old hometown with his wife to look for work and start over. He answers a classified ad entitled "Departures" thinking it is an advertisement for a travel agency only to discover that the job is actually for a "Nokanshi" or "encoffineer," a funeral professional who prepares deceased bodies for burial and entry into the next life. While his wife and others despise the job, Daigo takes a certain pride in his work and begins to perfect the art of "Nokanshi," acting as a gentle gatekeeper between life and death, between the departed and the family of the departed. The film follows his profound and sometimes comical journey with death as he uncovers the wonder, joy and meaning of life and living. .

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WEDNESDAY, MAY 23, 8pm - "The Class " (France, 2008)

Summary: Teacher François Marin and his colleagues are preparing for another school year teaching at a racially mixed inner city high school in Paris. The teachers talk to each other about their prospective students, both the good and the bad. The teachers collectively want to inspire their students, but each teacher is an individual who will do things in his or her own way to achieve the results they desire. They also have differing viewpoints on the students themselves, and how best to praise and discipline them. The administration of the school tries to be as fair as possible, which includes having student representatives sit on the student evaluation committee. Marin's class this year of fourteen and fifteen year olds is no different than previous years, although the names and faces have changed. Marin tries to get through to his students, sometimes with success and sometimes resulting in utter failure...

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FRIDAY, MAY 25, 8pm - "Caramel" (Lebanon, 2007)

Summary: Six women in Beirut seek love, marriage, and companionship and find duty, friendship, and possibility. Four work at a salon: Nisrine, engaged to Bassam, with a secret she shares with her co-workers; Jamale, a divorced mother of teens, a part-time model, fearing the encroachment of time; Rima, always in pants, attracted to Siham, a client who smiles back; Layale, in love with a married man, willing to drop everything at a honk of his horn. There's also Rose, a middle-aged seamstress, who cares for Lili, old and facing dementia. Rose has a suitor; Layale has an admirer on the police force. Is delight a possibility? Is caramel a sweet or an instrument of pain?

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MONDAY, MAY 28, 8pm - "The Lives of Others " (Germany, 2006)

Summary: In the early 1980s, Georg Dreyman (a successful dramatist) and his longtime companion Christa-Maria Sieland (a popular actress), were huge intellectual stars in (former) East Germany, although they secretly don't always toe the party line. One day, the Minister of Culture becomes interested in Christa, so the secret service agent Wiesler is instructed to observe and sound out the couple, but their life fascinates him more and more.

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WEDNESDAY, MAY 30, 8pm - "Blue Mountains or an Improbable Story" (Georgia, 1983)

Summary: In this extremely funny satire on Soviet bureaucracy, the protagonist, a hapless author, attempts again and again to get his editors to accept his manuscript -- a novel with the title "Blue mountains or Tienshan." The story unfolds with the inevitability of a fairy tale in which a naive hero is painfully being initiated into the ways of the world, and while the would-be author wanders through the hallways of his publishers, we in turn learn a lot about the crumbling Soviet system and the inactivity of its bureaucratic functionaries. By Hollywood standards, the film may be slow and repetitive, but it is precisely the repetition of tragicomic situations that bring the film to the heights of a Beckettian absurdity. Even after the end of the Soviet Union a film that is worth while watching.

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